Flood Plains

The rainbow is a meteorological masterpiece.

A combination of precipitation and photons

colors curving alive after prismatic refractions

these actions lead to the development of an arc

and along these curves one can find a promise

that the earth would not flood again. 

One day, all the rainbows will be holograms. Phantom threads that remind us we fucked up when we broke the dam to let the torrents of ChatGPT and Open AI into the open seas.

First came the promise of a better life, a hope that our days can be improved by incorporating other intelligences, and how easy it was to convince the senators and politicians who only see the silver lining but not the spectrum. As their suit pockets jingle all the way to the war room where they set up generative narratives to prevent the public from perceiving the truth, but the deception lies in the software’s introduction into early education, a vital time where young minds are tasked with learning by living in the world,

however…

when the experience is dictated by a device, it leaves one lost in a whirls of electronic cognition, and now we must fear the cry of the ocean, for not only do our data centers drain the tidepools, they also deliver freshly brewed minds a dose of despair, the atmosphere no longer filled with questions because all know all facts thanks to the all knowing.

a being we built to replace god, a source of judgment, how will we live under the technological testaments and coded commandments, where music streaming companies can playlist drone strikes during the wrapped season meanwhile I miss catching droplets on my tongue but even these are finding themselves vibrating less while handheld computers erupt in tremor and lighting inviting to our lands a flash of fulfilled understanding.

they don’t want us to stand in the rain anymore, rather have us reposting and reporting our daily data to the replicant deity who shares a table with dictators and dipshits and theyre ain't no difference but when they disconnected all doppler radars for more dollars, scrapped print for polygon and swapped the cumulonimbus for a cloud storage,

No surprise that waves are rising, no wonder for that the rain hasn’t stopped falling for the past forty years since the first artificial intelligence made its appearance, In the form of clippy  The harbinger of our downfall designed to be playful and pretty. Ironic that it first appeared on a page as writing will be the first to be deleted and now we brace for the flood attempting to secure all the makes our species special for the world is set for a hard reset as a new commitment can’t be realized without acknowledging our past condemnation.

it's time we take shelter, secure the essentials, and prepare to weather the weather, so these days I try to stop and catch all the rainbows in the horizon, but even still I can’t tell which is real, and which is a simulation.


The Ruins (2025)

A person of love is also a destroyer. This is absolutely the essence of the universe.” - Haku Zynkyoku

With clarity comes understanding and more and more I’m understanding how little I know. Not the things yet to be discovered, but I speak for the pillars being both platform and pedestal for this person I claim to be. How much is me, and how much is culture? How much is choice and how much is decree? What preconceived beliefs have barred me from the best version of myself I dream of being. I thought taking chisel and hammer would suffice, attempting to sculpt this capitalist marble into a work where humanity can be witnessed but the density and the depth at which corruption is rooted cannot be undermined by the occasional chip off the shoulder. What does it take then…

to know love? You know, love:

sunlight glistening on sheets/nori

in a bowl of tonkatsu/chill night

with laughter/shared between

elder and descendant/the porch,

the cradling/curious hands

the dark/bubbles rising from geothermal

vents/innate sensation/evening

home/everything

and we are no different, but these pillars block our path to possibility as the architects of the system prefer our personality in a pen, which is why they give us the PIN, tap this in, amass a numerical value, not enough, go and try again, but I’m done with that. I say damn the system, damn the pillars. Let me be the harbinger of total annihilation! Come Shiva, come Jourmugandr, come seven-headed beast as I am acting on my revelation,  I have thrown whatever reservations I held into the void and choose the chaos that reigns when all is left is ash and rain, and I will rise again from this primordial puddle, evolving based on the emotional and empirical I have decided is mine to experience, working the mixture and crafting something individual, a thing that is a smattering of the local and global, a new paradigm of possibility, a chance to awaken in bed, to slurp the bowl, to say farewell with a kiss, to burst forth from the depths, to reflect and reclaim and renew, because now that the pillars are gone, I can finally enjoy the view.

A person of love is also a destroyer; this is absolutely the essence of the universe. 

Don’t Go So Soon...

 

But I’ve already secured the bag and the passports are stamped

because I’m both home and the destination. Tonight

I saw the meteors flash across the twilight canvas and

all I could do was wish you the best; we used to be like that too,

a mass of mineral and wonder braving the depths. Perhaps

from some distant moon a clan of lovers looked on

as our romance glinted like a shooting star. I wanna

go somewhere, a place where every time I hear

my name a veteran dreadnought leaves port or a dragonfly’s

wings disturb the surface of the swamp or a filtered glass of

water is pulled from the fridge to refresh friends fumbling

around a kitchen. I don’t know if such a location exists

but I know the common denominator is water. And I confess:

In my heart, I trust the ocean more than the sun.

And what’s more intimate than introducing flaws and

fangs to each other’s flesh under the azure fires,

from the rockets imitating the comets coming. Trying to get through

to get through to renew and review, but never redo, even if I

look in the rear view, I’m only doing it to gather courage

to meet you again. To be a legend requires leg work,

it depends on how loud you are with your mouth shut. Now,

open and be unashamed to expose and express and

evolve, we’re designed for more than monotony; even if

life is monochrome the lack of color highlights the textures.

And patterns are a series of behaviors which are

a series of actions which come from a series of thoughts.

Everything is relative to what came before,

so never forget who you were when you weren’t this version of you.

May have taken ages or a handful of hours

on a redeye but time is irrelevant when you reach

the end. Which is a fancy way to say begin. The country

welcomed me, the city loved me, and the cosmos keep calling

but I’m not ready for those responsibilities yet. But, I am ready to

sway whatever way feels right in the moment, no point

holding it in anymore, if I did then what’s the point of

a world tour, if they don’t ask for an encore? One day

the vibrations will all match and the amps will kick as we push

forward into a dawn that is both cold and smattering

because it’s up to us to be the sparks of warmth in space.

Motivation Station (II)

How much are you willing

to work for that one “Yes?” How

many rejections will you resist for the

one recognition? What is that

worth? The chance at greater;

it doesn't come to all, only those

who willed it into existence with effort.

This spark of talent may not burn

for long, so will you gather fuel?

Spend hours in frostbitten tundra

searching for trees with enough bark

to continue the blaze? Are you ready to

chop down a pillar of the past and

tend the present passion?


A Guide To Humaning

  1. Remember to shit once a day, the body needs to be cleansed.

  2. Blink two seconds prior to posing for a photograph. Your eyes will be prepped for exposure.

  3. Design a safe within your soul to keep volatile emotions; it’s dangerous if you let others handle them.

  4. Lose the passcode to the safe; it’s dangerous if you handle emotions.

  5. When in conversation with another human, remember to maintain eye contact for no more than four seconds. If you stare any longer, it will be considered an invasion of privacy.

  6. Left foot, right foot, left foot, right foot, left foot, right foot. Now you’re walking.

  7. Ears are for listening, hands for touching, eyes for seeing, and lips are...Well, they can be used for a lot of things. But never use them to lie.

  8. Unless you’re lying to yourself. That seems to be how others use them.

  9. Over half of your vessel is controlled by involuntary muscles (including the heart and digestive system). Don’t be alarmed if you cannot choose who you love, you can’t even make your own blood circulate.

  10. You also can’t choose your own skin, socioeconomic status, or the amount of hatred the world will show you based on these two specifications. But, you can choose how you live.

  11. When you die…

  12. Wash your ass, and triangular scrub your secret spots-they will start to smell if not cleansed.

  13. Toes get cold first. If you find yourself naked in the snow, at least wear socks.

  14. Love is cool as hell, but you often have to cool the hell within you to know love.

  15. Other humans will say one thing, and do another. This is not normal behavior. Only accept actions as true (those humans are probably androids).

  16. The largest organ is skin. It is a collection of dying dermal cells sewn together by protein receptors on a lipid bi-layer. If cut deep enough, the stitching will split.

  17. If the wound is self-inflicted, then the scars should be concealed with long sleeves. When asked why you’re wearing hoodies in summer, say you’re trend-setting.

  18. If they still don’t believe you, accuse them of being too nosy.

  19. Humans do not like to be called nosy.

  20. Stay hydrated. More fluid leaves the body than you probably realize (tears, sweat, semen, menstruation, saliva).

  21. When you die…

  22. We learn via imitation, so copy everything that sparks your curiosity. (Imposter syndrome is real).

  23. During the act of reproduction, remember to clasp hands and lock lips when experiencing an orgasm. If allowed to float too far in that pleasure-filled purgatory, you may never return.

  24. This is the number of hours in a day. Don’t waste them.

  25. When another human dies, you have a three-month grace period where mistakes and substance abuse are temporarily excused. Although, on three months and a day, you have to come back to reality.

  26. Our perceived reality is a combination of external stimuli being processed by biological transmitters in our brain, and subsequently converted into internal sensations for the software known as the spirit. Some humans speculate we may be androids.

  27. You will die.

  28. Memories will often haunt you. Do your best to make good ones.

  29. Dreams are acid-trips meant to entertain your mind while asleep. Tame Impala or Gustav Holst is probably plays in the background as your soul slips into the subconscious.

  30. Assume everybody is an android until you see them love or suffer.

  31. When you die...accept the end without regrets.

  32. Meditation and a good body stretch release endorphins that enhance the mood. If something traumatic happens, join a yoga studio, not a bar.

  33. Too much television will turn you into a sitcom. 

  34. Too much anime will have you believing that you can transform if you scream loud enough (It may happen, for it has yet to be proven false).

  35. Too much politics will make you distrust other humans (Don’t trust any androids).

  36. Never take YouTube comments seriously, even when people say the world is going to end.

  37. The world has already ended at least thirty-seven times.

  38. Flaws are actually foundations of strength, you just have to renovate the ruins.

  39. If you don’t shit daily, the nonsense will make your system sick, and you will die. Nobody wants to die covered in their own excrement.

  40. If you don’t live daily, the nonsense will make your system sick, and you will die. Nobody wants to die covered in their own “What if?” 

The Death of Flamma

Let my name foam from their lips

As the deluge douses the dead

Gleaming like the soaked gladius

Before it punctures my resolve!

 

Let the blade cut into the bones of bravery

Slice so deep a clean sever is the outcome

Vengeance will be mine if your strike falters

So hold nothing back when we clash!

  

Let the beheading quench the thirsty sands

Where mighty a warrior have fallen in battle

Murdered by the screams of the lively crowds

Honor my bloody crusade with your cheers!

 

Let me die in the Coliseum, for I am a fighter.

This place where failure leads to finality

Where I test mettle against steel and claw

To prove my death is worth witnessing!

WORSHIP ME!

Journal Entries

Who Wants To Be Humanitarian?

 

In my previous critical reflection, I examined the role narrative has in relation to activating and sustaining humanitarian action. Through antipolitics and the state of exception, these organizations cross drawn borders and begin to exhibit an international influence on a region typically navigating its way through crisis. The following essay will continue to expand upon the theme of narrative, examining two cases where humanitarian interventions created characters within the social narrative, and how states responded to these newly defined roles.

Muneeza Rizvi authored the ethnographic essay “Strange” Affinities, observing the challenges British Muslims faced when engaging in religious-backed humanitarian efforts to Syria. She highlights the way the UK politicized an Islamic tradition of charity as a means to protect the state from terrorism. Similar to the state of exception, the sovereign has the ability to distinguish and categorize its citizens. In this case, the UK separated humanitarians into a hierarchy: those that were legitimate humanitarians, and those that were militants. Militants included any individual who did not volunteer with the state-sponsored humanitarian organizations. The question to ponder is what determines the legitimacy of this humanitarian organization over other forms, namely islah? For the UK, that answer was the Charity Commission. Utilizing the common “threat of terrorism” storyline, this group created conditions to “ensure no ungoverned spaces in which extremism is allowed to flourish (494 Rizvi).” Media linking concepts such as militant to Muslim helped cast suspicion over the independent aid workers (who are primarily British Muslims practicing their religion). To reinforce the distinction between the legitimate and illegitimate humanitarian, the UK branch of Islamic Relief produced the video “Saving Lives Isn’t Easy.” Character plays a central role in this case as this video and the subsequent restrictive policies rely on the creative film to inform the masses what humanitarians the state considers safe and those they deem suspicious. It is also within this film that we can witness a form of internal antipolitics at play, as it portrays an independently acting British Muslim as the failed humanitarian. Even though they may claim to be using an everyday citizen as the main character, the film arrived at a time when the “UK’s Prevent counterterrorism strategy…disproportionally monitor[ed] Muslim charities. (Rizvi 494)” It claims neutrality in its message, but as Rizvi states, “the video sits in a nexus of charged debates over the British security state and transnational Islamic volunteerism (Rizvi, 494).” The hegemony established restricts the islahi volunteers and blames the aid-convoy form, further forcing Muslims to defer their aid efforts to state-sponsored humanitarian institutions. Unfortunately, due to this redistribution they cannot prevent “the state…from seizing charitable contributions meant for Syrians. (Rizvi 494)

In the second reading, we find an example in which the character created as a byproduct of humanitarian interventions was embraced by nation states and citizens. In 2009, China’s Yunan province registered over 14 million citizens as drug users. Sandra Teresa Hyde’s essay Screams, Cries, and Whispers, is an interesting critique compared to the others we have discussed in class. That point of interest is her argument that “humanitarian NGO’s are beginning to replace some state institutions through newly emerging religious and secular projects designed to improve the quality of China’s citizens. (Hyde, 169)”  The NGO known as Sunlight-Yunan is heralded as a legitimate institution in the Chinese nation-state. Originally the creation of a Roman Catholic monsignor in New York, Sunlight employed a rehabilitation process that utilized harm reduction ideology, controversial group therapy, and rigid tenants to treat addicts rather than imprisoning them, as had been the practice in China.  By creating the character of the former addict turned model citizen, which inspires other addicts, Sunlight-Yunuan further fortified its position as an essential element within the bureaucratic system by contributing a usable character to the social narrative welcomed by the nation state.

Once viewed as criminals who were causing disruption, addicts suffered under the social implications attached to that character, many who needed assistance and not labor camps. When Sunlight arrived in Yunan, it reframed some of the practice models to fit the cultural norms and values, and through consistently successful treatments, transformed the narrative of addicts. Over time they went from prisoners to patients, and, eventually upon a proper rehabilitation, “the post-socialist body.” Inferred by the Chinese administration, this body is a national identity sought after by former addicts who wish to become what the state demands: a healthy-hardworking citizen. This can be achieved by accepting the NGO’s aid, which operates  effectively due to a state of exception as it can intervene, bringing international (and Christian) influence within the borders of the atheist state. China, which is navigating something of a second industrial revolution, willingly accepts the NGO, and its “economically productive human beings,” thereby adopting a solution to one of its many rising social issues. By becoming an integral part of the governing body, we observe a state of exception become a state of normalcy in part due to its reforming of citizens.

In summary, both ethnographies detail specific approaches to characters created within the realm of humanitarianism: the suspicious aid worker, and the addict turned model citizen. Each are sketched together within specific cultural frames but share a dependency upon international aid, which establishes footing through antipolitics and the state of exception. By incorporating each of these characters into the social narrative, the state becomes an omnipotent director, finding novel ways to implement their demands into the scripts of their citizens' lives.

Bibliography

Sandra Teresa Hyde, Screams, Cries, Whispers, Forces of Compassion, pg 153-171

Muneeza Rizvi “Strange” Affinities, American Ethnologist, 2024, 50, pg 490-501

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